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Why do right-wing grifters like pensandpoison and that Joon girl complain endlessly about “Marxism” and “wokeness” allegedly killing the artistry of modern literature when right-wing conservatives were pumping out all sorts of slop novels in the 90s and 2000s? Picrel, for instance, was about a state governor covering up his daughter’s death from a botched abortion because he needed support from abortion rights orgs to win his re-election and is later exposed by a Christian news anchor with prophetic powers; this crap is no different from a Sally Rooney novel or “Yesteryear” just neocon/Evangelical in orientation with the same dogshit writing style. Tons of hypocrisy and ignorance on the part of the “anti-work” literary critic crowd.⏱ 5d↩ 17
Right wingers don't have control of the culture industry and can't effectively elevate someone like Peretti to the point of high social standing. Rooney is a Trinity College graduate and has received numerous highly prestigious awards for merely appealing to the urban liberal-left bourgeois worldview. Understanding the right wing critique as nothing more than "leftists write slop" is bad faith to the extreme. You're missing the entire point about the intersection between institutions and culture construction. Which is surely performative because leftists are totally fine with these critiques when it was postmodernist philosophers making them. It really goes back to that tweet about leftists pretending to not understand anything thereby making discourse impossible.⏱ 5d↩ 2
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